Giovanni Agostino da Lodi and Marco d’Oggiono, Worship of the sagesMilan, Pinacoteca di Brera Milano, Pinacoteca di Brera, May 14 – August 30
The first appointment, in order of time, will guide the guests to the Ledwall on the ground floor of Palazzo Citterio, where the new chapter of the program is developed by the Pinacoteca di Brera shown from 18 September to 11 January together with the National Museum of Digital Art (MNAD), which will investigate the relationship between Heritage and new technologies.
The first protagonist, Quayola, presents Strata #1, a video installation that was recently obtained in the MNAD collection, which re -interprets the vault of the church of the Jesus in Rome through algorithmic variations. By transforming the chromatic and geometric codes of the Roman baroque that solve in abstract configurations, revealing a new non-human aesthetics, the work thinks of the historical heritage as a living thing to explore the tension between memory and future, extraction and abstraction.
Mimmo Paladino, Sleeping, 1998. Installation in the Roundhouse in London, 1999
From January to April 2026, the Ledwall will host instead Disappearing trees By Debora Hirsch, published by Clelia Patella. Made in collaboration with the National Museum of Digital Art, this site-specific installation has introduced interested digital art, science and memory.
The agreements in Palazzo Citterio
We Remain at Palazzo Citterio where, from October 16, to 7, January, a retrospective dedicated to bice lazzari, edited by Renato Miracco in close collaboration with the Bice Lazzari Archive of Rome and the GNAMC – National Gallery, Will of Modern and Contemporary Art, Will of Modern and Contemporary, Will of Modern Works, Will of Modern and Contemporary, Will of Modern and Contemporary, Will of Modern and Contemporary, Will of Modern and Contemporary, Will, And Foreign Museums, Institutions and Collections, from the National Gallery of Modern and Contemporary Art of Rome to the Salomon R. Guggenheim Museum in New York. The artist’s career embraces the applied art of the art of the 1930s and 40s, but also that of the last period characterized by a rigorous minimalism, who pass on all phases of his creative evolution.
From October 30 to January 18, 2026, Sala Stirling will welcome in Milan for the first time, Nobu at Elba ReduxThe monumental installation created by Giovanni Frangi, four large painted canvases and twenty burned rubber sculptures, relieves at regular intervals of 15 minutes, with the intention of offering an emotion comparable to what is experienced at night experienced in the vicinity of a watercourse in an uninhibited environment.
The initiative, compiled by Giovanni Agosti, will enable the public to appreciate the work again, twenty years after the first exhibition, in Villa Panza in Varese, a place where it was devised. The Milanese agreement uses a new set -up by Francesco Librizzi, who has worked with the intention of maintaining the original experience of the installation and at the same time strengthening the special bond with Sala Stirling.
Giovanni Gastel, costume and society. “Vanity Fair”, May 2008; © Image Service SRL, Courtesy Giovanni Gastel Archive
2026 from Palazzo Citterio, continues with initiatives dedicated to Masters of International Art. From January 30 to July 26 it is up Giovanni Gastel Telling about a path that deals with all his career, from the first covers for fashion magazines to advertising campaigns that have initiated him as one of the most important photographers in the world.
A work by the South African artist William Kentridge also arrives in Palazzo Citterio, a tribute to Giorgio Morandi as part of the exhibition Metaphysics and metaphysicsA widespread project compiled by Vincenzo Trione who will involve Palazzo Reale, the Twentieth Century Museum and Brera between February and July 2026, in collaboration with Electa.
Between May and July 2026, Mimmo Paladino returns to a Milanese public institution with a project by Lorenzo Madaro dedicated to one of his masterpieces, the famous To sleep.
At the Pinacoteca di Brera the first exhibition dedicated to Giovanni Agostino da Lodi
The first exhibition is never devoted to Giovanni Agostino da Lodi, one of the most original artists who are active in Italy in the decades of the 1500s, will be organized instead of 14 May to 30 August 2026 in the rooms of the Pinacoteca di Brera.
Maria Cristina Passoni and Cristina Quattrini will find the story of this author, mysterious because of the scarcity of biographical data, which is held between the end of the fifteenth and early sixteenth centuries, in a framework of dense artistic relationships between Milan and Venice.
Om de stilistische manier te reconstrueren zal vooral de vergelijkingen zijn met de grote meesters dat Giovanni Agostino hun invloeden op een absoluut persoonlijke manier zou kunnen observeren: Bramantino en Leonardo aan de Milanese kant, Alvise Vivarini, Giovanni Bellini, Boccacco Bocccino, Giorgione en Alvrecht Dürer On the Venetian One, Artists ON Werken are present with loans from Italy and abroad.
In the Braidense National Library the jewelry of the collection Patrizia Sandretto Re Rebaudengo
The exhibition is from 10 October to 5 November 2025 to ertain the season of the Braidense National Library, the exhibition Jewelry costume, the collection of Patrizia Sandretto Re RebaudgoA broad selection of non -codged jewelry, from the 1930s to the present, on loan from the collection of Patrizia Sandreto Rebaudengo. Necklaces, pins, colorful earrings, original bracelets tell a phenomenon that, from a simple alternative to authentic jewel, has established itself as a real creative language. In accompanying the exhibition, the release of the homonymous part will be published by Paschen, a story of almost 600 of the most important author Bijoux made in the 1930s to today, with the texts of Carol Woolton, Maria Luisa Frisa and a photographic campaign signed by Luciano Romano.
From November 13, 2025 to January 11, 2026, the Maria Teresa Room of the Braidense National Library in Milan will organize the exhibition Edoarda Masi and China. Thought, literature and translation. Bettina Mottura, Simona Gallo and Marina Zetti Will Take Care of the Exhibition Created in Collaboration Between the Pinacoteca di Brera and the University of Milan, The Deputy of Languages, Literatures, Cultures and Mediations, What aim’s Share the Rich Experience of studies, Share the Rich Experience of studiency of studies Edoarda Masi, Library of the Braidense from 1961 to 1973 with the public for the first time. With his legacy of more than 2000 parts in the Braidense library.
The review, divided into three sections – thought, literature, translation – is about the focus of the literary dimension of China that is known and returned to Italian readers.
Debora Hirsch, Vanishing Trees Milan, Palazzo Citterio | Ledwall, January – April 2026
Vijftig jaar na de dood van Pier Paolo Pasolini en honderd jaar na de geboorte van de Japanse schrijver Yukio Mishima, van 29 januari tot 28 maart 2026, zal de Braidense -bibliotheek ook een niet -gepubliceerd tentoonstellingsproject voorstellen, samengesteld door Marco Minuz, die deze twee figuren van het internationale culturele panorama van de vorige eeuw voor het lezen van de in de buurt van intellectuele en gemeenschappelijke paden zullen to compare. From 7 April to 6 June 2026, on the occasion of the ten years of death, an exhibition made in collaboration with the Umberto Eco Foundation, will finally pay tribute to the famous half a diologist and writer who died in 2016.
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