Pierre-Auguste Renoir, Dance at the Galette Moulin1876, Oil on Canvas, 176.5 x 131.5 cm, Gustave Caillebotte Becquet, 1896 © Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
Fleet emotions, volatile, carpiet from the brushes of the artist in the corners of the Parisian street or between the forest kissed by the sun.
From 3 October 2026 to 31 January 2027, the exhibition “Renoir and Love” will bring more than 50 works to London, painted by the French impressionist, as part of the most important assessment in the United Kingdom for 20 years. The exhibition, the first in the National Gallery dedicated to the artist after that of 2007, will include the most experimental, ambitious and admired canvases of the master, including the iconic Ball at the Galette MillIn loan of the Musée d’Orsay in Paris, which will be exhibited for the first time in the United Kingdom.
Organized in collaboration with the Musée d’Orsay and the Museum of Fine Arts in Boston, the path will focus on the crucial years of the artist’s career, from the mid -1960s of the 19th century to the middle of the 19th century. Visitors will be invited to repeat the evolution of the imagination related to the affection, temptation, male comrading through interesting loans from private collections and museums from all over the world, from the NY Carlsberg Glyptotek in Copenhagen to the Städel Museum in Frankfurt, from the National Museum of Stockum Museum.
Pierre-Auguste Renoir, La Conversation, 1878, Oil on Canvas, 38 x 45 cm, National Museum (Stockholm) © National Museum (Stockholm)
“More than any other contemporary of Him – explains Christopher Riopelle, co -creator of the exhibition and curator Neil Westreich for the post -1800 paintings in the National Gallery in the National Gallery – Renoir devoted himself to the telling of love and friendship and their informal events of modern life. Was that the emotion could be the omnative subject, the light of the sun itself “.
In the path, delicate and personal works will support fascinating multi-physicia compositions of urban and suburbs, among these Umbrella (1881, reworked in 1885, National Gallery).
The audience will be dragged into the dance compositions, universally beloved symbols of the end of the French century. Even when, in the early 1980s of the nineteenth century, Renoir will go away from the impressionist style, fascinated by the plays of light, to devote themselves to more solid and sculptural compositions, the problems with regard to friendship and joy in the face of nature will never leave his cloths.
PhD by the Musée d’Orsay of Paris and organized by the Musée d’Orsay, the National Gallery and the Museum of Fine Arts in Boston, will move the exhibition to the Musée d’Orsay in Paris (from 17 March 19 to 19 July 2026) and to the Museum of Fine Arts).
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