The Insider: Detail, Color stands out in Hoogtedut Reno

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Behind the elegant exterior of a Grand Renaissance Revival building near the Promenade, an abandoned plywood did not start the promise of the facade.

The co-op-apartment “was the lower three levels of the five-storey building occupied and” was chopped in a cheap, poorly executed renovation, with an uncomfortable layout, “said architect Margot Otten, who was co-founder Osso -architectureLocated in Brooklyn and Hoboken, New Jersey, with partner Douglas Segulja in 2017.

OSSO Architecture was brought into the project by the interior designer -based interior designer Jessica Whitney Gould From JWG interiors, with whom the homeowners initially had contact and who immediately realized that a total revision was in order. “We did a complete intestine, removed three structural columns that float in the middle of each floor and found ways to open the space,” Otten recalled. “We have brought in a lot of steel.”

When everything was said and done, the homeowners had completely new mechanics, a brand new kitchen and baths, new herringbone floors and new openings between spaces with a design with a curved horn. The rounded detail is repeated everywhere, even in places such as the bullnosis edge of the countertop. “It ensures that the interior feels coherent,” said Otten.

A small galley kitchen was pressed in an addition of the back. The architects pulled the kitchen in the widest part of the building, got the full 17-1/2 feet and opened it to the living room at the front. They converted the existing addition to a dining area and installed a new aft deck.

The original detail was missing almost completely, but Osso -architecture kept the location and structure of the stairs, added a graceful new lounge and new finishes and replicated cornices of remains found in forgotten corners of the apartment.

When the house was built as single -family roads at the beginning of the last century, Otten said: “The higher ceilings and larger space, with a bay window, were on the second floor,” or piano Nobile. “That’s where the bedrooms are now.”

As instrumental as the architectural interventions for the success of the project were Gould’s Color and Furnishing program. “The customers had lived in this room for a while with what they had. They were open to start all over again,” she said. “We wanted it to feel fresh, stylish and chic, but also as it was always there, not imposed, with an organic quality.”

The generous foyer serves different functions. An existing fireplace was simplified “to open the space more,” said Otten. “We went with a simple breast, not an ornament.” On the left are new cupboards; A door leads to a ladies’ room. A staircase from this area goes to the lower level, used as a Familiereec room.

Corners and a violin head hanger of Roll & Hill add a distinction distinguishes the transition space, along with a loop carpet of wetbangs. “The client loves pink and green, so we pushed in it”, as a general rule, said Gould.

Accounting and red chairs kit a bonus library area that continues the most important living space.

The living room, hidden under the stairs, is painted “good old white pigeon” by Benjamin Moore, as Gould said. Sofa and vintage armchairs have now ended the space.

The kitchen layout maximizes light, with low counters on the window wall and human interaction, positioned with the island of sink to look out at the living room.

Breccia Capraia marble of Bassteen, adapted oak cupboards and unusual finishes of copper veneer on both the stove hood and the upper cupboards are among the rich colors and textures in the room. “We wanted metal, but something other than standard stainless steel,” said Otten.

The lamp is found a vintage Italian piece online and sent from Milan – “pricey, but elegant and timeless,” the architect said. The sculptural metal kitchen stools are also something special, from the French brand Amore.

Curved doors everywhere in the function reveals: “An extra low detail that adds depth and definition to the form,” said Otten.

The Dining Nook Beyond, in the existing extension, has designed an adapted upholstered pastry to save space, a table of Fern Living and Light Fecture of CB2. Access to the new aft deck is through this space.

The ladies’ toilet has lush Ceres wallcovering from Anna Glover, a design studio established in the United Kingdom, a modified sink with copper fittings and a Petite-Friture mirror.

A peachy upholstered chair that was designed to fit closely into the arched window of the primary bedroom was manufactured by JWG interiors and upholstered in Maharam Mohair.

“We didn’t want the room to feel suppressed by built -in ins,” said the designer.

The elegant primary bath brings green marble and copper details back into play, as well as curves, in the curved stone of the entrance of the wet room and vanity details.

All bedrooms are on the second floor, including two children’s rooms whose narrow -mindedness is more than their happy decor, with a lot of color, texture and pattern. The son of the homeowners chose the dark wall color for his room, “so we pressed this cozy, moody theme,” said Gould.

Sugar almond from Farrow & Ball is the daughter of the daughter with lavender against. Wallpaper from Timorous Beasties and a lofted space over the cupboard, made possible by the large ceiling height, satisfied the child’s requests for “purple, butterflies and a secret room,” said Gould.

The children’s pool is dressed in blue and green tile from Firecley. New Deadstock cranes from the 80s were found online.

[Photos by Ethan Herrington]

The Insider Is Brownstoner’s weekly in -depth look at a remarkable interior design/renovation project, by design journalist Cara Greenberg. Find it here every Thursday morning.

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