From Degas to Boldini. In Terni a look at impressionism between France and Italy – Terni

Ternni – A shrimp fisherman in Nemi has been immersed by Jean Baptiste Camille Corot, and the Inglesina depicted by Vittorio Matteo Corcos. Giovanni Boldini shows off Carrozze, Boldini Cavalleggeri, Di Degas is a dancer with tambourine.
It will be a tribute to the impressionist season in Italy – more than 150 years after the first exhibition to punish the birth of the movement, on April 15, 1874 in Paris – ready to open its doors in Terni, in the rooms of Palazzo Montani.
Compiled by Anna Ciccarelli and Pierluigi Carano, the path From Degas to Boldini. A look at impressionism between France and Italy He will embrace 44 works, including sculptures, writings, paintings, on loan from important national and international museums, through the art collections of bank foundations and credit institutions.
Among the lens of the curators, especially the Italian artists who, from the mid -1920s to the 1920s, made shine to Italy, but whose contribution is not always sufficiently recognized, their fame verbered through the dominant success of the French movement.

Silvestro Lega, the lesson

In Italy, in this postunitary period, the development of the new French artistic current seems slow and difficult. For this reason, many Italian painters look like a lighthouse for the new style and the opening of Parisian thinking, in which they find a modernity that is found at home. Na het seizoen van Boldini, Zandomeneghi en De Nittis, die “Franco-Italiaanse impressionisten” kunnen worden genoemd voor hun lange Parijse verblijven, schiet wortel in Italië een late impressionistische traditie die in de eerste drie tot vier decennia van het twintigste eeuw duurt, gekoppeld aan Monet, Renoir, Renoir, Renoir, Renoir, Renoir, Cézanne, Cézanne, Cézanne, Cézanne, Cézanne, present in the work of the research. Monet, who will move to Paris for a long time since 1879 to initially become the most important founder of Italian impressionism.

Jean-Baptiste-Camille Corot, one of the leaders of the Barbizon School, will open the path, which makes way for Berthe Morisot, which can be seen with three works from the exhibition that has just been closed in Turin and the Musée Famm, The Levett Collection of Mougins.

Federico Zandomeneghi, au Théatre- In the stage

Some works by Degas come from the Gnam of Rome instead. The audience will face Les Italiens de Paris, active in the clear years of Paris of the Belle Époque, when the French capital was the driving force of art worldwide. There will be the cloths of Giuseppe de Nittis from the Cassa di Rismarmio di Padova and Rovigo Foundation and those of Vittorio Matteo Corcos of the Giovanni Fattori Civic Museum of Livorno. Giovanni Boldini of the BPM will dialogue with Emilio Gola from the Gallerie d’Italia, while Federico Zandomeneghi and Antonio Mancini will arrive in Terni from important private collections. To honor the image, in addition to the two bronze della Gnam, a washing work by Medardo Rosso, the highest representative of the Italian modern sculpture, thanks to the loan from the Mart of Rovereto.