Discover 6 Taschen -Salon table books that combine fat -printed design, advertisements, logos and color theory, essential inspiration for designers and visual creatives.
Few publishers know how to change a book into a design object To fail. Their releases balance exhibition with spectacle, oversized pages, daring layouts and photography that feels just as collected as the subjects themselves. For designers, artists and everyone attracted to a visual culture, these parts are more than references; They are sources of daily inspiration. Below we have completed six Taschen -coffee table books – some completely new, other fresh new editions, which push the boundaries of shape and content, each ready to earn a permanent place in your creative space.
The Package Design Book 8 (2023–24 winners)
Now in its eighth edition, this annual series is presenting more than 600 award-winning packaging designs from global Pentawards competitors. It is an endless source of creative inspiration, from concept to plank -ready version, perfect for designers who are tailored to branding and visual stories about surfaces.
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Graphic design. 1890 – Toon. Basic Art (New Release)
This title is part of the “Basic Art” series of Taschen and investigates the evolution of graphic design for more than a century, from early poster art to modern digital expression. A concise, richly illustrated primer that makes design history approachable and visually tempting.
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The book with color concepts. 45th edition (new)
For designers looking for inspiration in palettes and theory, this new edition visits the color again in historical and contemporary contexts. The “45th Ed.” Design indicates a collecting framework-driven exploration of the creative potential of color.
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Logo Begin. Logo Modernism. 45th ed. By Jens Müller
A visual festival for designers, a vast anthology of more than 3000 logos that follows the evolution of iconic trademarks from the mid -19th century to 1980. This masterful compendium (combining the original logo-start and the logo modernism volumes) is a carefully organized by visual categories-picturate, effect, typographic and typographic typographic and typographical and typographic and typographical and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and typographic and And the typographic, and the further valleys, lines, lines, lines, lines, lines, lines, lines, and valleys. With essays that offer historical perspective, in addition to profiles of fixtures such as Paul Rand, Yusaku Kamekura and Anton Stankowski, it is more than a design preference – it is a cultural journey through brand identity.
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Mid-century advertisements
A time capsule of the Golden Age of advertising, this part emphasizes American print ads from the 1950s and 1960s-an era defined by daring typography, hand-illustration and the birth of modern consumer culture. Every spread is a lively memory of how aesthetics from the middle of the century form visual communication and telling brand stories.
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Menu design in Europe
Menus are more than functional – they are cultural artifacts. This release of Taschen collects more than a century of European menu design, from graceful Belle Époque blooms to slender modernist layouts. It is a rare view of how design mediates between food, hospitality and visual style, making it a wonderful source for both designers and history lovers.
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