The thickness of the series is exactly in his political metaphor, which he has the protagonist The excellent Sterling K. Brown. Put the sensitive and intellectual clothing from Randall, it turns here into a sort of Denzel Washington Equalizer version. It is Xavier Collins, the security head of the president (James Marsden), everything falls just before the latter is murdered. More than the research and hunt for the perpetrator, it influences the story of the Build at the table of the ideal cityPropagated as “the” salvation, while in reality it is only an enclave of privileged and chosen, adequately kept in the dark about everything through an unscrupulous power that only gives their comfort.
Set the shivers for his probability the episode in which we witness the race to the plane of Rescue, where – on the Titanic – There are people who would do something to save themselves and those who choose not to struggle at all. It is fierce Fogelman to imagine how the powerful attentive is, even at the extreme moment when humanity is about to expel, just to retain their power company. Macropotter, in the case of world powers that compete to loosen themselves against atomic bombs, micropothe in the case of people who have a guaranteed place in the field of salvation and do not think that they do not even bring half a friend/close/unknown/clandestine. It is the Millennial Law of the “Mors Tua My Vita“That rules the world, it seems to want to remember paradise, even if the official statements say so The series comes out with perfect timing, at the time of climb to the power of the Plutocrats, Symbolized in the series by a ruthless Julianne Nicholson, in the role of this Synatra.
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