Carlo Scarpa and the Biennale. In Possagno a link that must be rediscovered through the artists of the Gemin collection, from Klimt to Paul Klee – Treviso

Treviso – For almost forty years, from 1934 to 1972, Carlo Scarpa worked together with the Biennale of Venice, with dozens of installations and architectural interventions, from the access office to the gardens, from the courtyard-Tear to the Mezanine in the Italian Pavilion, Pavilion and that of Venezua. An exhibition, compiled by Mario Gemin and […]