Reconstruct to treat. Here “Open Opera”, The Holy Strey Pavilion in the Biennale Architecture of Venice – Rome

Roma – Repair architectures for tiling relationships by reconstructing the physical and social space with the beauty of the treatment. Celebrating the history of places by improving the skills of today’s talents, promoting the community intelligence of local artists, restorers, musicians, proposing connections between past and future, celebrating architecture as a choir act, of responsibility for a place and the residents.
This is the message that will resonate in the Pavilion of the Holy chair on the 19th. International Architecture Exhibition – The Venice Biennale 2025, expected from 10 May to 23 November.
The “Parabola” pavilion, 550 square meters, was presented by the Dicastery for Culture and Education during the press conference in the Vatican Press Room. The complex of Santa Maria Ausiliatrice in Castello will welcome him that it will manage Dicastery as an open exhibition space, to be “lived” instead of seeing, in accordance with the municipality of Venice.

Het project, getiteld “Opera Open”, is samengesteld door Marina Otero Verzier, architect en door Giovanna Zabotti, artistiek directeur van Fondaco Italia en reeds curator van de Venice Pavilion, die samenwerkte met twee van de belangrijkste internationale architectuurstudies onder verantwoordelijke constructie en collectieve zorg: Tatiana Bilbaa Bilba, Alba Bilba, Alba Bilba, Alba Bilba, Alba, Alba Bilba, Alba Bilba, Alba Bilba, Alba Bilba, Alba Bilba. Rosas, Helene, Helene, Schauer), located in Mexico City, and Maio Architects (Anna Puigjaner, Guillermo Lopez, Maria Charneco, Alfredo Lérida) of Barcelona.

Tatiana Bilbao Estudio – Fernando Sanchez

“The pavilion of the Holy chair will be a pavilion -parabola -his eminence Cardinal José Tolentino de Mendonça -. The title of” Open Work “presents it as a construction site, as a walking physical space and social space. Lauudato Yes And to become an active laboratory of human and community intelligence, common reason and affection, professionalism and socialism, research and normal life “.

Duration the Seven Months Of Opening, Within This Continuous Space That Will Host Collective Work, Alongside That of the Architecture Studies, Associations and Lives of Venice, Invited to make avials and skills to creative community, The tools Willian Willian Willian Willian Open to the public, work tables, maps, drawings that will show the evolution of the building in time, and still a room that will be a room that will be a room that will be a room that will be a room that will be a room that will be a room that will be used by the nonsolated cucks who are managed by the cocoor that is managed that is managed by the cocoor that is managed that is managed by the cuck of the kitchen that is managed to be used that is managed to be managed kitchen kitchen kitchen kitchen kitchen kitchen kitchen kitchen kitchen tuises that Welcome twice a week and local residents who can share the cosiness of the meal. Meetings, workshops, comparisons to know that local restoration techniques will follow.

Portrait of Giovanna Zabotti

“There will be a lot to work, an open number to put together a large working community – explains Giovanna Zabotti. Is an opportunity to talk about them.

So in the coming months this project will give a new life to the Santa Maria Ausiliatrice complex in the Castello district, aimed at what can be stored, reused and reactivated, promoting sustainable and ethical architecture. “By breathing new life into an existing structure – the curator Marina Otero recovers – we do not improve her cracks and losses as defects to be hidden, but as openings for new possibilities. These thresholds invite us to increase the relationship between past and future, growth and decay, rupture and regeneration. Open work honors the stratified stories that are replaced, while creating space for those who come after us. “

Two afternoons a week, the UIA – International University of Art will lead a series of recovery and redevelopment workshops to transfer traditional building techniques to the new generations. Participants receive a UIA diploma, which enhances a long -term obligation to maintain these skills. Lares will be the recovery of the monumental part that is visible to the public from Monday to Thursday from 10 to 18.

“We see this opportunity as a way to position architecture as an act of care – Tatiana Bilbao Estudio explains to acknowledge the urgency to ensure the environment and the communities in these uncertain times and to teach a renewed target feeling in our profession.”

Marina Otero © Boudewijn Bollmann

In addition to the “open work” restoration, cultural exchange promotes shared meals and music. Instead, the “Benedetto Marcello” Music Conservatory Venice will support local musicians by offering test rooms, deposits and availability of instruments in the pavilion (including harp, piano and vertical piano). These structures are accessible during the weekend, with the possibility for musicians to book the room online to play online, after time slots of an hour each.

Incubitable, for this edition of the Biennial architecture and for the next edition of Biennale Arte, The Support, as main partner, by Intesa Sanpaolo.

“The collaboration between Intesa Sanpaolo and the Dicastery for Culture and Education – repeated Michele Coppola, executive director of art, culture and historical heritage – Intesa Sanpaolo, general director of Italy Galleries – was born from a solid common vision that an extraordinary tool recognizes in art to see contemporary social challenges.”