Liverpool -legend Ian Rush has set his name on an extremely bizarre, score -Settling musical produced by AI -attacking Jamie Carragher and Robbie Fowler.
Rush takes pot photos at Carragher and Fowler, Lammert the legal system and various journalists and lawyers in the 90 -minute ‘Rush for Justice’.
Shared online in the musical after he has been premiered by the controversial company in premiere in Cannes, the Strange Hamilton style AI production has been completely unveiled.
The texts in one number refer to his anger at Carragher and Fowler because he dumped him in a WhatsApp group after recording approval videos of a controversial company in which he has an interest.
‘Here is a story of merseyside, surrealistic but unfortunately true, of legends draped in Scarlet Red, their boots once split the blue. Fowler, Carragher, icons with Rushy, through and through, was asked to send a video clip, just something that friends would do, “run one song before the AI generated voice starts to rap.
“They never called Old Rushy Back, no partner Hello, just disappeared from the WhatsApp-Thread as Gerrard missed a pitch,” goes the next verse while his grievances are brought to light.
Ian Rush put his name to a bizarre ai -musical – produced by Justice for Sport Media – aimed at colleague Liverpool – Legends Jamie Carragher and Robbie Fowler
Rush and Fowler, former teammates and friends who appeared here in 2018 in a New York Pizza Restaurant seem to have fallen
Jamie Carragher and Rush previously worked together to help the Liverpool Foundation
Rush, the top goalscorer in the history of Liverpool, is an important shareholder in Irama Sports – a company that invests in and buys football sites.
When the company was launched, a number of former pros, including Carragher and Fowler, filmed approval that were placed on their Facebook page.
Some were later withdrawn in the midst of claims that the former Liverpool defender had not intended for commercial use.
It is clear that Rush is still being stabbed by their actions – hence the decision to call them in his AI musical. At the time, Carragher and Fowler were interviewed about their support for Irama, given the controversy around the company that saved the struggleing clubs.
Both then distanced itself on Twitter, now X, in April last year.
Carragher wrote: ‘I have just seen this thread and saw my name as an approval of this group. I was asked for a video message that I did as a favor for a former LFC player. I have no idea who they are or what they do. After reading what they do looks very grim. ‘
Fowler added: ‘I was asked for a video of a friend and former teammate. I have no bond with this group and I don’t want to be associated with it. My support is with Grassroots football and that of influence. ‘
Fowler, Rush and Carragher had worked together before the Liverpool Foundation after their match days, but the relationship between the Welshman and his old teammates now seems broken.
One number in the AI-musical details Details Rush’s legal frustrations, in which the American voice-over sings: ‘Four years deep in the process zone, self-represented, standing on my own. The case of Irama has the core, but they do not leave right through the door of the courtroom.
Rush and Fowler are two of the best strikers of Liverpool ever, but fell over Rush’s involvement with Irama and their withdrawal of an approval video
“They don’t touch the substance, no merit in sight, just playing the game with a Rulebook or two, £ 70k in costs, which is an achievement for a claim of £ 65k, that’s Elite.”
Irama is also involved in a constant legal dispute with a Surrey -Stiger company and Martin Calladine – one of the journalists who called in the musical by name – summarizes production as a detailing: ‘Rush’s and Irama’s four -year lawsuit with the former owners of Whyteleafe (a football club in Surrey).
“It starts like a tirade about the media, the attacks of athletics, the FSA, former MP Tracey Crouch, many journalists (including, short, me), Fowler, Carragher and Liverpool’s failure to sell them Melwood.”
Melwood was Liverpool’s training field until 2020 before they moved to the ultramodern AXA training center in Kirkby.
Instead of selling the former site, Liverpool’s Women’s Team and Girls’ Academy now work from Melwood.
Irama was attacked for purchases that have been in clubs whose grounds are in administration or were sold at an auction.
In 2021 they spent £ 495,000 on the Whyteleafe FC’s Church Road Ground and £ 300,000 for the Culham Road of Oxfordshire Club Abingdon Town the year before.
At that time, Whyteleafe chairman Mark Coote de Athletic told: ‘Irama does not seem to understand football clubs, it is as if they were landlords.
Oxfordshire Club Abingdon Town’s Culham Road was bought by Irama – depicted here in 2007
An e -mail shared by author and journalist Martin Calladine was shared, with details about Justice for the message from Sport Media prior to the launch of the AI musical
‘This can ultimately finish the club and the community that I have built for the past 25 years. We are in a very difficult position. The termination of the lease means why it has nowhere to play. ‘
Irama presented the AI musical in Cannes in one of their qualities – and Calladine says there are plans to develop a film that goes with the music.
He also shared an e -mail from Justice for Sport Media Company in the US – that led production.
The e -mail gave notification to the release mentioned in the musical ‘to guarantee full transparency’.
The musical has been uploaded online under a license from a Creative Commons ‘Public Domain dedication’, which means that the content can be used by someone without infringing copyright.
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