From 10 October to 2 November they will dialogue with the historical stratification of the Nymphaeum of Villa Giulia in Rome, the National Museum Etruscan (Etrus) (Etru) (Etru), where the architecture of the past welcomes a contemporary thinking that reflects on temporarily, about the inheritance, about the inheritance.
Selected and granted on the occasion of Crea Open 2025, in which more than 4,000 artists from 104 different countries were participated, with the special prize for the personal exhibition location specific at the Nymphaeum of Villa Giulia, the Tokyo artist will bring his radical poetic research to the capital.
Also this time he will question the vulnerability of the world through materials. Of The eternal duality – where the water flows, between history and rebirthMiyazaki will start an open dialogue with the Italian sixteenth century enclosed in polychrome marbles and into the monumentality of the fountains on a compelling path that confronts the fragility of existence and the hidden beauty in the ruins of our time.
Keita Miyazaki | Photo: © Gallery Rosenfeld
Also in the eye with abandoned car engines, industrial metals, origami papers folds, felt and sounds from the city life of the urban daily life, the Nymphaeum not only becomes a symbol of architectural regeneration, but also a place of thought and creation, where contemporary, more than invasion becomes the possibility of a story.
The exhibition dedicated to the Tokyo artist who, after the Tsunami of 2011, to whom he helped directly, have undertaken a radical poetic examination, able to interrogate the vulnerability of the world via the materials, will be the first step of a wider project, which will be in the coming months of Miyazaki in Italian Museums.
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