“Forms of Light”, the large exhibition on Man Ray in Palazzo Reale – Milan – Arte.it

“Forms of Light”, the large exhibition on Man Ray in Palazzo Reale – Milan – Arte.it


Man Ray 2015 Trust / AGAGP -Siae – 2024 |
Man ray, Black and white1926Print on silver salts, 17.3×23.5 cm. Private collection. Image: Telimage, Paris

Milan – autumn lights up with one of the most expected exhibitions on the Milanese scene: let’s talk about Man ray. Forms of Lighteen paar dagen geleden ingehuldigd in het Royal Palace en gepland tot 11 januari 2026. De tentoonstelling verzamelt bijna 300 werken van een genie aan wie de definitie van fotograaf dichtbij is: Master of Light and Matter, Emmanuel Radnitsky – Man Ray: As een “man” en “Ray of Light”, omdat hij zelf hernoemde – een van de eerste die een kunstvorm geeft, een kunstvorm, het leven op visuele, levende Lifespan, alive in the first place of the Twentite century. The Milanese exhibition presents them on an all-round trip in the search for a visionary pioneer and artist, who restores their steps through precious original prints, drawings, collages, lithographs, films, sculptures, ready-made.

The travel schedule of Pierre -Yyves Butzbach and Robert Rocca take place for themes – the portrait, the nude, the cinema … – which shows the experience of the artist, his experiences in Paris in the Golden Age of the Avant -Garde and New York, where man Ray went to the Ville World War, to return. The close relationships with surrealists and Dada – Marcel DuchampBut also poets like Tristan Tzara, Paul Elouard, Louis Aragon – And the most daring experiments together exclude collaborations with the fashion world, of which man Ray revolves the visual language by collaborating with stylists such as stylists Paul Poiret, Elsa Schiaparelli, Jean-Charles Worth, Coco Chanel. And then the women, muses, models, life companion, often protagonists of iconic shots, of Kiki de Montparnasse A Lee Milleralso Meret Oppenheim A Juliet Browner.


Man Ray, The Violons of Ingres, 1924, Print to Silver Salts, 39×30 cm. Private collection © Man Ray 2015 Trust / Ceaag-Asae-2024, image: Telimage, Paris

In the first place, however, the extraordinary contribution of Man Ray has been offered to the developments of photography and artificial court, with ironic, elegant, technically innovative, often provocative images, the result of an inexhaustible study that is carried out with passion and in total freedom. To see tone we find famous photos such as Black and white O Ingres ViolinIn addition to images that are less known to the general public, testify to daring inventions. As the rayographymade without the camera, but with the objects ranked directly on light -sensitive paper, or the solarariesobtained by a partial exposure of the film in the light during the development phase, which, according to some, would actually bring the signature of Lee Miller, the moment the partner and muse of the artist would both.

The visitor’s journey comes out Self -portrays of self -portraitsin which the author he plays about his identity, the images of the avant -garde -protagonists – Picasso, Dalì, Mirò, StravinskyAmong other things – the result of revealing performative actions; Through research in the field of cinema, shown by shown by Four films in full versionto fashion, dreamy and refined photos, to Experiments about the theme of the female bodyOne of the recurring reasons in Man Ray’s work, which transfigurates forms and surfaces with shade games and unusual shots, making them sometimes unrecognizable and almost abstract. Whatever the subject is, the photographic image goes away from the mere absorption of reality to become his metamorphosis, in a poetic alchemy of shape, light, thought.


Man Ray, Tears 1932 © Man Ray 2015 Trust / AGAGP-SIAE-2024, Image: Telimage, Paris

Also read:
• Leonora Carrington, the surrealistic dream conquers Milan

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