Autumn of the Brescia Musei Foundation, from Flemish painting to Crepax – Brescia – Arte.it

Brescia – From the mysterious Caravaggesco – painter Matthias Stom in Guido Crepax, the autumn agenda of the Brescia Museums Foundation has interesting surprises in the store.
It starts on 18 September in the Pinacoteca Tosio Martinengo, at home, until 15 February, of the first exhibition that was never internationally organized on the Flemish master Matthias Stom (1600-1650).
Gianni Papi has collected all the works of the mysterious Flemish painter in the Lombardic area, to support the altarpiece of Chiuduno, immobile, but it will be included in the route.
The creative similarity of the painter, who embraces several seasons, begins between Antwerp and Utrecht, to move to Rome where stupidly develops a strong naturalistic language, but always remains true to the Caravag Gift instances. The Roman stay follows the phases in Naples, between 1635 and 1638, then in Palermo around 1640, where the teacher performs an amazing amount of work with significant dimensions, until Venice, before the tracks are lost.
In Brescia there will be four important master’s works from private collectible from Bergamo (Unbelief of St. Thomas, Dedalo places the wings in Icaro, Healing of Tobia, Christ among the doctorsThree masterpieces of the Carrara Academy, including two courses at night, in which the artist specialized, and one San Giovanni Battista from the monastery of San Bartolomeo. The big photo with Vespasian will also be exhibited from the chains Giuseppe Flavio, from Santa Maria Assunta to Soncino (CR), and one ‘Unbelief of San Tommaso And two non -published, of illustrious origin of the Pinacoteca Tosio Martinengo.

Guido Crepax, “The Encyclopédie” by Valentina – Calendar for the year 1972, 1971, China ink on cardboard Schoeller, 36 x 36 cm

The tribute from Brescia to Flemish art will take place in the Pinacoteca Tosio Martinengo, at home, from Midden -October to the monumental portrait of Giovan Carlo Doria at the start of Peter Paul Rubens, on loan of the Royal Museums of Genoa. The initiative, compiled by Gianluca Zanelli and Marie Luce Repetto, with the collaboration of Palazzo Spinola, is part of the program PTM Return. Deeply inserted in the aristocratic and cultural environments of his era, the noble and patron Genuese John Carlo Doria Nobile, was one of the predictions that preferred the brush of illustrious artists of his time, such as Anthony Van Dyck and, in fact, Rubens. The guest painting in Brescia was made around 1607, during the Roman stay of the great Flemish painter, who gave the figure of the nobleman an impressive ceremony.

Con Guido Crepax. Dreams, Games, Valentina 1953-2003The Master of Comic and Eclectic Artist will be internationally known from 30 September to 15 February 2026 in the Santa Giulia Museum. Promoted by the Brescia Musei Foundation in collaboration with the Crepax archive and compiled by Alberto Fiz and Iharia Bignotti, with the collaboration of Camolomas, the anthological production of the Beloote great production of the Beloote Graphic -Artie Span for fifty years. By embracing 150 works, some of which have never been exhibited, including original tables, sketches, drawings, advertising projects, films of films, covers of disks and games, the exhibition deepens the wide production of Crepax in its profitable dialogue with art. The initiative divided into seven thematic paths, investigates the stylistic evolution of the cartoonist through a rigorous choice of one hundred original tables that emphasize his extraordinary inventions.
We remain in the Museum of Santa Giulia, where from 2 October to 15 February, in combination with the International Educational Festival, the exhibition is held entitled Worlds, travel, stories … and then there is Jacovitti! Who for the first time presents part of the rich illustrative heritage of the historic archive of the sketches of publisher La Scuola.

Gepromoveerd door de Brescia Museumi Foundation en door de Editrice, de school en samengesteld door Michela Valotti met de samenwerking van Anna Piergentili, biedt de tentoonstelling, met meer dan 70 tafels, een kruising van de iconografische verbeelding voorgesteld aan de jongere generaties in de post -weerjaren en van de drempel van de drempel van de drempel van de drempel van de drempel From the Threshold of the Threshold of the Threshold of the Threshold of the Threshold of the Threshold of the Threshold of the Threshold of the Threshold of the Threshold of the Threshold of the Threshold of the threshold of the Drempel.

Pieter Paul Rubens, Giovan Carlo Doria, 1606, Oil on Canvas, 188 x 265 cm Genoa, Liguria National Gallery in Palazzo Spinola © on the Concession of the Ministry of Culture – National Gallery of Liguria in Palazzo Spinola

De recensie, verdeeld in vier thematische secties, zal het publiek een reis naar Italiaanse creativiteit voorstellen door werken te verwelkomen door artiesten auteurs zoals Benito Jacovitti, Bruno Munari, Ugo Fontana, Francesco Carlo Saladini, Marina Battigelli, Gianmaria Ciferri, Gianbattista BertiLli, Gizzaglio, Nevio, Nevio, Nevio, Nevio, Nevio, Nevio, Nevio, Gizzagli, Nevio, Nevio, Gizzagli, Nevio, Gizzagli, Nevio, Gizzagli, Nevio. The Luca and Pio Pullini.

In November, the 2025 edition of the Peace Festival will see a certain focus dedicated to the complex and dramatic middle -eastern context, while in December it is expected that the celebrations of the Bicentenary of the discovery of the winged victory and the bronze down payment of the capitolium will begin. Thanks to a loan, the bronze of the Santa Giulia Museum dialogue with those of a great Italian National Archaeological Museum, to bring the Bicentenary Festival and the memory of the discovery outside the border of the city.