We Palmese could have been the comedy on the football you need (and not instead)

The positive surprise is that Rocco Papaleo It is unusually dedicated, that is, it has been committed and (incredibly) does not answer the usual tones, the usual movements and the same characters, or at least not too much. His older man a little tired, a little no, a bit bored by everything, but then ringtuzzi by this company that seems huge while he remains locally improves resourcefulness Well hidden by a highly discharged appearance. All this at least in the beginning gives a little breath to the film And it starts well. The problems come when everything should come into the heart.

On the one hand, Our Palmese He doesn’t know what to do with his plot; On the other hand, it has a huge problem with the football. Once Morville has arrived in Palmi and that his setting Has Been Set, the film should face the intertwining and development of the characters, but he struggles huge to tell the cross betsen the purification of the relationship, the Story and the Story and the Story and the Story and the Story and the Story and the Story and the Story, the Story and the Story, the Story and the Story, the Story, the Story, the Story, the Story, the Story of the Story, the Story or the Story of the Footballallallallallallallallallallallallallall aside. (In which Morville himself has a role) and finally the storyline Broader than his stay in the local team. Not only does the spectator’s interest die because nothing is compelling, that is, there is nothing left that keeps the rhythm alive and pushes to keep seeing the film (me characters They are terrible, their conflicts told with this order to be monotonous, and the interactions without any personality), but what the film promises for a long time, that is, seeing the sample compared to the provincial blows, it turns out to be a disappointment.