Amedeo Modigliani, now Couchè, 1917, Oil on Canvas. Courtesy Pinacoteca Agnelli, Turin I Ph. Sebastiano Pellion di Persano
Perugia – is part of the works made in the Paris apartment of Rue Joseph Bara 3, rented in 1916 by the Zborowski trader to have the artist concentrate on production.
Because if in the years of his formation between Florence and Venice Amedeo Modigliani he had worked a lot on the nude, the artist first avoided the theme in Paris, considered the Avant -Gorme environments and by the new exaggerated “academic” artistic movements.
Only later made, once the famous series of the Caryatid When, with the famous personal exhibition in the Parisian gallery Berthe Weill, suspended by the police for “indignation for modesty”, the season of the big nudes begins, begins Naked He portrays a Semi -Seesaded model on a couch.
The hands are connected, while the soft lines are defined by a dark sign that separates the body from the almost abstract color backgrounds from the surrounding space.
This naked, represented by the master of Long Hills by a female sensuality that also suggests control and challenge, will be the protagonist of the appointment “a masterpiece in Perugia”. From 3 July to 15 September, the masterpiece of Modigliani, of the permanent collection of the Pinacoteca Agnelli in Turin, will be a guest of the National Gallery of Umbria of Perugia, who invite the public for the life, relationships, relationships, the relationships, the “, the audience”, cursed.
Because if in the years of his formation between Florence and Venice Amedeo Modigliani he had worked a lot on the nude, the artist first avoided the theme in Paris, considered the Avant -Gorme environments and by the new exaggerated “academic” artistic movements.
Only later made, once the famous series of the Caryatid When, with the famous personal exhibition in the Parisian gallery Berthe Weill, suspended by the police for “indignation for modesty”, the season of the big nudes begins, begins Naked He portrays a Semi -Seesaded model on a couch.
The hands are connected, while the soft lines are defined by a dark sign that separates the body from the almost abstract color backgrounds from the surrounding space.
This naked, represented by the master of Long Hills by a female sensuality that also suggests control and challenge, will be the protagonist of the appointment “a masterpiece in Perugia”. From 3 July to 15 September, the masterpiece of Modigliani, of the permanent collection of the Pinacoteca Agnelli in Turin, will be a guest of the National Gallery of Umbria of Perugia, who invite the public for the life, relationships, relationships, the relationships, the “, the audience”, cursed.
The complex existence, beaten by diseases, large waste and so many successes, will be told by a precious core of eight works, in dialogue with some works of old, European and non -European art, to explain to an attempt to explain how its original and personal language can form the modern rework of models from the past.
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