From Picasso to Warhol. The ceramics of great artistsAlastment. Louise Bourges and, Background, XU de
Until December 8, the Novelli Room welcomes a hundred works by the review artist protagonists From Picasso to Warhol. The ceramics of great artistsPublished by Vincenzo Sanfo, promoted by the municipality of Monreale via the Department of Cultural Heritage in collaboration with the producer company Renaissance SRL.
Ceramics, terracotta, porcelain take the form of dishes, jugs, cups, sculptures and decorative objects from private collections, while the anthological pipes lead to the landing of ceramics, traditionally in the field of professionalisms, the field of art and linguistic experiments.
It starts from the turning point impressed by Pablo Picasso in the mid -1900s, when Vallauris started attending France and approached the production of local ceramics.
From Picasso to Warhol. The ceramics of the great artists, founded
“The idea of this exhibition – lays from Vincenzo Sanfo – was born to tell the adventure of ceramic, terracotta, ceramic object through the art of the art of a long time; therefore, the art of the twentieth century. Of course starting with the great master Picasso, which was erased in one way or another, the idea of the cerative the idea of the cerative the idea of the cerative. Imagination with regard to our imagination.
The large production of ceramics signed by Picasso, generally more than three thousand pieces produced by the Madoura factory on the French Riviera, has influenced the next generations of artists who are usually dedicated to other forms of art, such as painting.
The exhibition thus assesses the historic avant -garde of Sonia Terk Delaunay and Marc Chagall, and that of Andy Warhol, with the display of the fears and irony of the mass culture of pop art, and by Salvador Dalì transmitting the representation of the surrealistic Dream to Ceramics.
From Picasso to Warhol. The ceramics of the great artists, founded
Like the approaches of Salvatore Fiume, Luigi Mainolfi, Marco Lodola and Marco Nereo Rotelli, exhibit the complexity of Italian plastic research, the female experiences of Marina Abramović, Yayoi Kusama, Louise Bourgeois, Paola Testify with the or Charzer Testify with the Charzer Testify with the or Charzer Testify with the Charzer Testify with the Charzer or Charzer, the orny Testify, the orny Testify, the orny Testic, the orny Testify, the orny Testify, the Charzer, the Charzer, the Charzy or Charzeral Ceramic batteries. The review also gives space to the contributions of those artists who have reconciled their research and style with the territorial rooting, from the Chinese to the Weiwei, Pan Lusheng, Zhang Hong May and Xu de Qi, To the South American Nicolás Julio Le Parc Who, Instead, Applies to the Ceramic His Research on the Light and Optical Perception.
The original contribution proposed by the artists of North America, Jean-Michel Basquiat, Keith Haring and Sol Lewitt distinguish themselves, who used ceramics as a translation space of a poetics that was already consolidated in street art and in conceptual art and in the minimalist movement.
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